EX_SHOP

 

Filmmaker Andrew Shankweiler

Director of Photography / Gaffer

 

 (Photograph by Nicholas Reader)

 

      Andrew Shankweiler is not only one of the most talented Gaffers and Directors of Photography that Expressway has worked with, but he is an esteemed colleague, dedicated filmmaker, and good friend to the company.  His hard work and motivation to excel at his craft is exemplary and a model for all aspiring filmmakers. 

     

     He has worked with Expressway on almost every project we have created and each project is respectively better for it.  For the purposes of this article, it is important to note that Andrew was the Gaffer of both Expressway Productions' feature film crews on "The Fields" and "A Good Day For It".  The following piece, written by Andrew Shankweiler, recounts one experience in particular that he has carried with him since.

                                  

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Filmmaker Andrew Shankweiler

On collaboration and inspiration

 

               It was one of the coldest nights of the year and we were outside on a farm deep in the Pocono Mountains.  A Good Day for It was winding down in the shooting schedule and this was proving to be our roughest location. The inside of the barn was lit up from all sides to recreate daylight. I was all by myself taking the final meter readings before talent came to set. I could hear the ever so quiet hum of the generator as it powers up our substantial lighting set up. I take a step back and succumb to the serenity of the moment. This same moment of self reflection allows for the time to think back on everything we have accomplished on this job.

The moment runs out and people start flooding the set. As quickly as my mind settles down, it picks right back up. Among the frozen mud and cow manure we are trying to do our part to orchestrate a brutal murder scene.

What made this night so memorable to me was the fact that this set up became one of my proudest experiences at work. Everything came together so well.  Certainly not from the beginning of the day, but when recognizing the final product, it all worked perfectly. The DP, Key Grip and I were challenged to overcome what felt like endless obstacles.  The collaborative atmosphere that resulted from such a high level of adversity manifested itself into an impressive creativity.  It was this joint collective experience that resonates so greatly with me even to this day.

The barn itself aided in what I might describe as one of the best looking scenes I have been a part of. The use of every crack or hole in the dilapidated structure allowed us to pour in light using these disparities as a source for natural cuts. The beams of light shine through the cracks allowing our menacing villain to walk in and out of shadows, while getting slammed by quick rays of manufactured sun  every time he takes a few steps.

We succeeded in creating a memorable scene even after being cursed from the beginning of the day. Everything we needed to overcome throughout, from the breakfast debacle, the truck parking fiasco, frozen cable, steep muddy hills, sub-zero temperatures, to an exhaustingly long day and even a dropped 6k par, all added to the feeling of satisfaction at the end of the day.  Every step proving to ourselves we are still capable and still pursuing creative perfection in this grueling, stressful and tiring environment. It was one of the most refreshing feelings of realization I can recount.

Just as all moments like these, it was short lived. As the AD’s were flying us through the scene in order to get us home, it was time to call it a night. It was the time when my brain turns away from lighting set ups, and transitions into “how fast can we get back to the truck with all the gear”. In these moments you don’t have time to think about what you just accomplished, or whether or not it will work in the movie; you just wrap. Fortunately, this night has stayed with me for over a year now and I hope it can be a constant reminder to me as I look for inspiration in future days; when the task seems to be impossible and the outcome of success looks more and more bleak. It is important for me in these moments to be able to recall proud memories of accomplishment like this one and not to get sucked down into despair, but rather look forward to overcoming the obstacles at hand and achieving our goals.

 

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Check out Andrew's reel on our Gallery page or click the link below.

Andrew Shankweiler Director of Photography

 

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